One of the most enduring images from the early years of American history is that of a preacher on horseback, slogging through mud and rain to bring folks in the backwoods the message of God and glory. Such religious revivals not only became the defining mark of American religion but also played a central role in the nation's developing identity, independence, and democratic principles.

But revivalism has always generated opposition, too, even in its century of glory. In Anti-Revivalism in Antebellum America, James D. Bratt offers extensive introductions to primary anti-revivalist documents. These works range from the Philadelphia Methodist John F. Watson's protests against camp meetings in 1819, to Elizabeth Cady Stanton's "Eighty Years and More," written in 1898, in which she recalls her youthful encounter with revival preaching and her rebound into political activism and religious agnosticism. Through the recovered voices of antebellum religious critics, Bratt shows how American culture was already being reshaped a generation before the Civil War and how evangelical religion stood at the center of a "culture war."

If revivals typified the era when Americans launched and defined their new nation, then objections to these revivals embodied the growing discontent at what the nation had become. An important and long overdue collection, this book urges an understanding of anti-revival literature both in the context of the era when it emerged as well as in terms of the broader dynamic of American life.

Includes selections from Orestes Brownson, Horace Bushnell, Calvin Colton, Orville Dewey, Albert Baldwin Dod, George Elley, Charles G. Finney, John Williamson Nevin, Stephen Olin, Phoebe Palmer, Daniel Alexander Payne, Ephraim Perkins, Elizabeth Cady Stanton, Joseph Smith, Harriet Beecher Stowe, La Roy Sunderland, John Fanning Watson, Ellen G. White, and Friedrich C. D. Wyneken.

Doctrine and Race examines the history of African American Baptists and Methodists of the early twentieth century and their struggle for equality in the context of white Protestant fundamentalism.

By presenting African American Protestantism in the context of white Protestant fundamentalism, Doctrine and Race: African American Evangelicals and Fundamentalism between the Wars demonstrates that African American Protestants were acutely aware of the manner in which white Christianity operated and how they could use that knowledge to justify social change. Mary Beth Swetnam Mathews’s study scrutinizes how white fundamentalists wrote blacks out of their definition of fundamentalism and how blacks constructed a definition of Christianity that had, at its core, an intrinsic belief in racial equality. In doing so, this volume challenges the prevailing scholarly argument that fundamentalism was either a doctrinal debate or an antimodernist force. Instead, it was a constantly shifting set of priorities for different groups at different times.
 
A number of African American theologians and clergy identified with many of the doctrinal tenets of the fundamentalism of their white counterparts, but African Americans were excluded from full fellowship with the fundamentalists because of their race. Moreover, these scholars and pastors did not limit themselves to traditional evangelical doctrine but embraced progressive theological concepts, such as the Social Gospel, to help them achieve racial equality. Nonetheless, they identified other forward-looking theological views, such as modernism, as threats to “true” Christianity.
 
Mathews demonstrates that, although traditional portraits of “the black church” have provided the illusion of a singular unified organization, black evangelical leaders debated passionately among themselves as they sought to preserve select aspects of the culture around them while rejecting others. The picture that emerges from this research creates a richer, more profound understanding of African American denominations as they struggled to contend with a white American society that saw them as inferior.
 
Doctrine and Race melds American religious history and race studies in innovative and compelling ways, highlighting the remarkable and rich complexity that attended to the development of African American Protestant movements.

The first book-length biographical treatment of Olof Gustaf Hedstrom and his brother Jonas documents their work in spreading Methodism among Swedish immigrants to America. Henry C. Whyman discusses the Bethel Ship Saga, a ministry unique in American immigrant history, and examines the larger picture of the role of religion in nineteenth-century European immigration to the United States.

The Bethel Ship, a floating chapel in New York Harbor, was the vehicle and headquarters for an effective ministry to immigrants arriving in America. Olof Hedstrom, a Methodist minister serving in the Catskill Mountain area, was called to New York to organize and lead this endeavor.

This absorbing and insightful biography illuminates the life of the controversial champion of Social Gospel in early-20th-century America.

Radical religious and political leader Harry F. Ward started life quietly enough in a family of Methodist shopkeepers and butchers in London. But his relentless pursuit of social justice would lead him to the United States and a long career of religious activism. Ward served as professor of Christian ethics at the Union Theological Seminary and chairman of the board of the American Civil Liberties Union for two decades. He also became a leader in labor groups, Protestant activist organizations, and New York intellectual circles.
 

David Duke builds his comprehensive story of this fiery leader from extensive archival sources, including FBI files and private correspondence, sermons, class notes, and other unpublished material. Duke skillfully charts Ward's rise from an idealistic Methodist minister in a Chicago stockyard parish to a prominent national religious leader and influential political figure. Ultimately, Ward's lifelong attempt to synthesize the beliefs of Jesus and Marx and his role as an admirer of the Soviet Union put him on a collision course with McCarthyism in Cold War America. Viewed by some as a prophet and by others as a heretic, traitor, and communist, Ward became increasingly marginalized as he stubbornly maintained his radical positions. Even in his own circle, he went from being a figure of unquestioned integrity who eloquently spoke his convictions to a tragically short-sighted idealogue whose unwavering pro-Soviet agenda blinded him to the horrors of Stalinist oppression.
 

Harry Ward's long, colorful career intersected nearly every intellectual current in American culture for more than a half century. This biography will be important for scholars of American religious history, students of liberalism and politics, social Christians, and general readers who enjoy a compelling tour into the private and public lives of notable figures of history.
 

In Methodists and the Crucible of Race, 1930–1975, Peter C. Murray contributes to the history of American Christianity and the Civil Rights movement by examining a national institution—the Methodist Church (after 1968 the United Methodist Church)—and how it dealt with the racial conflict centered in the South. Murray begins his study by tracing American Methodism from its beginnings to the secession of many African Americans from the church and the establishment of separate northern and southern denominations in the nineteenth century. He then details the reconciliation and compromise of many of these segments in 1939 that led to the unification of the church. This compromise created the racially segregated church that Methodists struggled to eliminate over the next thirty years.

Providing new insight into the Wesley family, the fundamental importance of music in the development of Methodism, and the history of art music in Britain, Music and the Wesleys examines more than 150 years of a rich music-making tradition in England. John Wesley and his brother Charles, founders of the Methodist movement, considered music to be a vital part of religion, while Charles's sons Charles and Samuel and grandson Samuel Sebastian were among the most important English composers of their time.

 

This book explores the conflicts faced by the Wesleys but also celebrates their triumphs: John's determination to elevate the singing of his flock; the poetry of Charles's hymns and their musical treatment in both Britain and America; the controversial family concerts by which Charles launched his sons on their careers; the prolific output of Charles the younger; Samuel's range and rugged individuality as a composer; the oracular boldness of Sebastian's religious music and its reception around the English-speaking world. Exploring British concert life, sacred music forms, and hymnology, the contributors analyze the political, cultural, and social history of the Wesleys' enormous influence on English culture and religious practices.

 

Contributors are Stephen Banfield, Jonathan Barry, Martin V. Clarke, Sally Drage, Peter S. Forsaith, Peter Holman, Peter Horton, Robin A. Leaver, Alyson McLamore, Geoffrey C. Moore, John Nightingale, Philip Olleson, Nicholas Temperley, J. R. Watson, Anne Bagnall Yardley, and Carlton R. Young.

    The impact of St. Mark’s Community Center and United Methodist Church on the city of New Orleans is immense. Their stories are dramatic reflections of the times. But these stories are more than mere reflections because St. Mark’s changed the picture, leading the way into different understandings of what urban diversity could and should mean. This book looks at the contributions of St. Mark’s, in particular the important role played by women (especially deaconesses) as the church confronted social issues through the rise of the social gospel movement and into the modern civil rights era.
    Ellen Blue uses St. Mark’s as a microcosm to tell a larger, overlooked story about women in the Methodist Church and the sources of reform. One of the few volumes on women’s history within the church, this book challenges the dominant narrative of the social gospel movement and its past.
     St. Mark’s and the Social Gospel begins by examining the period between 1895 and World War I, chronicling the center’s development from its early beginnings as a settlement house that served immigrants and documenting the early social gospel activities of Methodist women in New Orleans. Part II explores the efforts of subsequent generations of women to further gender and racial equality between the 1920s and 1960. Major topics addressed in this section include an examination of the deaconesses’ training in Christian Socialist economic theory and the church’s response to the Brown decision.  The third part focuses on the church’s direct involvement in the school desegregation crisis of 1960 , including an account of the pastor who broke the white boycott of a desegregated elementary school by taking his daughter back to class there. Part IV offers a brief look at the history of St. Mark’s since 1965.
    Shedding new light on an often neglected subject, St. Mark’s and the Social Gospel will be welcomed by scholars of religious history, local history, social history, and women’s studies.

The life of William Apess (1798–1839), a Pequot Indian, Methodist preacher, and widely celebrated writer, provides a lens through which to comprehend the complex dynamics of indigenous survival and resistance in the era of America's early nationhood. Apess's life intersects with multiple aspects of indigenous identity and existence in this period, including indentured servitude, slavery, service in the armed forces, syncretic engagements with Christian spirituality, and Native struggles for political and cultural autonomy. Even more, Apess offers a powerful and provocative voice for the persistence of Native presence in a time and place that was long supposed to have settled its "Indian question" in favor of extinction.

Through meticulous archival research, close readings of Apess's key works, and informed and imaginative speculation about his largely enigmatic life, Drew Lopenzina provides a vivid portrait of this singular Native American figure. This new biography will sit alongside Apess's own writing as vital reading for those interested in early America and indigeneity.

Examines how religious belief reshaped concepts of gender during the New South period that took place from 1877 to 1915 in ways that continue to manifest today

Modernity remade much of the world in the late nineteenth and early twentieth centuries and was nowhere more transformational than in the American South. In the wake of the Civil War, the region not only formed new legal, financial, and social structures, but citizens of the South also faced disorienting uncertainty about personal identity and even gender itself. Ye That Are Men Now Serve Him traces the changes in southern gender roles during the New South period of 1877–1915 and demonstrates that religion is the key to perceiving how constructions of gender changed.
 
The Civil War cleaved southerners from the culture they had developed organically during antebellum decades, raising questions that went to the very heart of selfhood: What does it mean to be a man? How does a good woman behave? Unmoored from traditional anchors of gender, family, and race, southerners sought guidance from familiar sources: scripture and their churches. In Ye That Are Men Now Serve Him, Colin Chapell traces how concepts of gender evolved within the majority Baptist and Methodist denominations as compared to the more fluid and innovative Holiness movement.
 
Grounded in expansive research into the archives of the Southern Baptist Convention; Methodist Episcopal Church, South; and the Holiness movement, Chapell’s writing is also enlivened by a rich trove of primary sources: diaries, sermons, personal correspondence, published works, and unpublished memoirs. Chapell artfully contrasts the majority Baptist and Methodist view of gender with the relatively radical approaches of the emerging Holiness movement, thereby bringing into focus how subtle differences in belief gave rise to significantly different ideas of gender roles.
 
Scholars have explored class, race, and politics as factors that contributed to contemporary southern identity, and Chapell restores theology to its intuitive place at the center of southern identity. Probing and illuminating, Ye That Are Men Now Serve Him offers much of interest to scholars and readers of the South, southern history, and religion.